且形成了多种不同的但都相对完善的理论和观点。然而,认识是不断发展的,对感性与理性对立统一的进一步认识只能会更趋成熟。设计艺术作为一种较为年轻的艺术科学,也是应该努力寻求其感性与理性最佳契合方式。而在通过对逻辑思维和形象思维的分析中,这种契合的可能性和有效性已初现端倪。艺术设计既具有严谨、理性的一面,又有轻松、活泼、感情丰富的一面,只有将理性和感性共同融会于其中,科学与艺术那种紧密的结合才会以独具特色的方式在艺术设计中体现出来。
----------------------------- 参考文献: ⑴王 路.理性与智慧[M],46页.上海三联书店,2000. ⑵苗田力.亚里士多德全集[M],353页.中国人民大学出版社,1990. ⑶王 路.理性与智慧[M],40页.上海三联书店,2000. ⑷王 路.理性与智慧[M],40页.上海三联书店,2000. ⑸诸葛铠.图案设计原理[M],61页.江苏美术出版社,1998. ⑹王宏建,袁宝林.美术概论[M],87页.高等教育出版社,1994. ⑺瑜青.黑格尔经典文存[M],32页.上海大学出版社,2001 ⑻叶奕乾 祝蓓里.心理学[M],160页.华东师范大学出版社,1989. ⑼休谟.人性论[M],110页.商务印书馆,1980.
A Blend of the Rational Knowledge and the Perceptual One --The Distinction and the Relationship Between the Logical Thought and the Visualized One in Design Art HAN Chao (Art Dept., Suzhou Univ., Suzhou 232001, China) Abstract: When Design Art is in plan and into practice, the main thoughtways are the Logical Thought and Visualized Thought which all have the individual features, and the organic unity of both can provide a scientific method that more correctly deals with the relationship between Rational Knowledge and the Perceptual Knowledge in Design Art. Key words: Rational Knowledge; Perceptual Knowledge; Logical Thought; Visualized Thought
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